![]() If you open another tab in your browser and go to YouTube, you’ll notice there are a ton of options available on YouTube, from metal backing tracks, jazz backing tracks, pop backing tracks, and so on and so forth.Įlevated Backing Tracks on YouTube is a great channel for discovering very versatile and high-quality backing tracks.Īdditionally, the YouTuber, Tom Bailey, has a solid amount of backing tracks. Perhaps, the easiest way is to just use a YouTube video. For starters, you can actually subscribe to particular YouTube channels, websites, or even Spotify playlists to get your hands on great music to play over. There are a number of resources out there for choosing a backing track. In this tutorial today, I’m going to run through each one of the above steps in detail, that way you have the best idea possible for how to go about playing with backing tracks.Īs I said above, in my opinion, playing along with popular songs and backing tracks is one of the greatest ways to practice, especially when you play in different keys.īy the way, there are always deals going on in the guitar and music world, so here are some of my favourite courses and gear that are on sale right now: JamPlay How To Play Guitar With A Backing Track 1) Choose your backing track 2) Figure out the song’s key 3) Know the tempo of the song (Optional) 4) Understand what chords are in the song 5) Know what scales and arpeggios work with the track. 5) Know What Scales and Arpeggios Would Work With the Song.3) Know the tempo of the song (optional).5) Know what scales and arpeggios work with the track.4) Understand what chords are in the song.3) Know the tempo of the song (Optional).How To Play Guitar With A Backing Track.The solo finishes with a blues scale riff that’s played in unison with the bass guitar. Jimmy often uses open strings to pull off onto and in bars 39-41 we see an ascending chromatic pattern. There is a great bend to negotiate in bar 30 so be prepared for this. This combines string bending on the third string and a pull-off on the second. ![]() We start with a classic JP repeating phrase. The barre chord can be held in place and then the fretting hand fourth finger used to add the note on the fifth string. The bridge section uses the classic rock and roll riff combined with barre chord stabs. There’s a never-ending font of great sounding riffs waiting to be discovered within the notes of this scale. E Blues scale (E-G-A-Bb-B-D) is used to create the fills. ![]() Aim to use down-picking throughout as this will help to maintain that even sounding, driving attack. JP was one of the first rock guitarists to use the palm muting technique to beef up his riffs. Our first jam track is a fast-paced romp that draws inspiration from the first two albums with their more organic, less produced sound The track starts out with a riff that combines palm muting on the sixth string and chord stabs. We are using DADGAD tuning, which has always been one of Jimmy’s favourites. Therefore, our third jam track is inspired by big strummers like That’s The Way, and altered tuning acoustic classics such as Black Mountain Side. Page is an accomplished acoustic guitarist, too, and both six and 12-string acoustics are put to good use in Led Zep’s back catalog. Page had an authentic-sounding blues approach, very much in the Peter Green vein, yet still left plenty of room for his own unique approach and interpretation to shine through. The second track is a slow blues number inspired by songs like I Can’t Quit You Babe and Since I’ve Been Loving You. The soloing is frenetic blues-based rock and showcases some of Jimmy’s favourite concepts, such as repetitive phrases and large, ear-grabbing string bends. ![]() Jimmy was a master of riff writing and these were often built from pentatonic scales and the blues scale with its b5 note. ![]() Our first jam is a fast-paced romp that draws inspiration from the band’s first two albums. ![]()
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